“The Site” came out in a hand-sewn, Rococo-inspired gown with paniers, belladonna-tinged skin, pupils the size of dinner plates, bright hooker-red lips, and a handcrafted powdered wig that was about 3′ tall and weighed at least 7,71107kgs (of course made by “The Site”) along with a fine selection of gaudy jewels from Mr. Harry Hines.

The performance started with an opener of this song – perfectly lipsynched, perfectly executed. #TOTESGORG.

After the opening, the first verse, and a chorus…the song then seamlessly mixed into a bad-ass remix of the song found below (again by “The Site”…the mixing, not the song, dumbass) at which point, it ripped off the gown leaving only the powdered wig, a lace bustier, the metal-wire paniers, and 7” stiletto hooker boots with thigh high stockings. Oh, and some panties or that shit would’ve been illegal. #HAIR

Still, that shit was mutherfuckin’ bad-mutherfuckin’ ass-fuckin’ fuckity fuck, fuckin’ awesome!

Unfortunately, if there were videos or photos taken of this evening, “The Site” is unaware of them…unless, this is the night that was shot for the…holy fuck…thinking it was that night…the night that Leah Camacho shot the main shots for her documentary about “The Site” becoming a drag queen for her University of Oklahoma film studies program – called “Life’s a Drag.” “The Site” is now super-curious as to what happened to that. The last known extant copy was stolen by a lesbian named Sherri. Hmmm…

Anywho, “The Site” was in a documentary, shot in Tulsa, Oklahoma back in 2003-ish called Life’s a Drag. Last it heard the documentary was used by some psychiatric nursing association to help people in the psych field understand inclusivity and diversity and transgenderism or something. They may have also been using it as a teaching tool for reasons why #conversiontherapy is necessary…who knows?